PressReviews

Press kit
Siwoo Kim smiling in a park, his red violin case on his back

Clearly Siwoo Kim is ready for prime time…”

Chicago TribuneJohn von Rhein

Press reviews

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  • Palm Beach ArtsPaper

    Violinist Kim spectacular in Sibelius Concerto with SFSO

    13 March 2026

    “…soloist Siwoo Kim tossed it off with deceptive ease and a sense of fun. It was a spectacular rendition, in which the performer visibly reveled in the work’s manifold complexities. Kim was no less impressive in the concerto’s quieter moments, floating high-lying melodic lines with poignance and sensitivity.”

    Read the review
  • violinist.com

    Torke’s Violin concerto ‘Last’ - A Balm for the Soul

    Diana Skinner · 7 September 2025

    “Kim’s playing is rich with emotion without tipping into sentimentality. He doles out his beautiful vibrato in restrained portions, making it all the sweeter when it comes. His bow control is extraordinary. And his elegant, understated stage presence allows full access to the beauty of Torke’s music without any distractions.”

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  • Arizona Daily Star

    Last minute soloist impresses Tucson Symphony audience

    Cathalena E. Burch · 17 February 2024

    “When you fly in from New York on just over 48 hours notice to fill in for a violinist on a relatively unknown concerto that’s never been played by the orchestra with whom you are soloing, you deserve a standing ovation.

    Actually, you deserve a mid-concerto standing-o, or several in the case of Friday night’s Tucson Symphony Orchestra concert with Siwoo Kim at Linda Ronstadt Music Hall.”

    Read the review
  • Chicago Tribune

    Mutter, Kim Deliver Strong Recitals

    John von Rhein · 31 March 2017

    “stylistic sensitivity and generous tonal nuance”

    Read the review
  • The New York Times

    A Homage to Alfred Schnittke at Juilliard

    Zachary Woolfe · 29 January 2014

    “incisive”

    “compelling”

    Read the review
  • The New Yorker

    Quartets ahoy

    Alex Ross · The Rest Is Noise · 28 January 2013

    “whip-smart”

    Read the review

Album acclaim

  • Take Effect

    On Last

    Tom Haugen · 8 May 2026

    “a truly stunning performance”

    Read the review
  • The Listeners’ Club

    On Last, Last Fall

    Timothy Judd · 29 August 2025

    “Serenely elegiac.”

    Read the review
  • Gramophone

    On Forgotten Sounds

    Andrew Farach-Colton · Editor’s Choice, July 2024

    “The performance is superb and richly recorded, and I’ve been listening to it obsessively.”

    Read the review
  • BBC Music Magazine

    On One Lives But Once

    Geoff Brown · 18 May 2018

    “Siwoo Kim’s impassioned playing adds notable fire to the busy textures…”

Features

Press kitDownload

Biography

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Siwoo Kim is an “incisive” and “compelling” violinist (The New York Times) who “plays with stylistic sensitivity and generous tonal nuance” (The Chicago Tribune). Siwoo actively performs as soloist & chamber musician and he is the founding co-artistic director of VIVO Music Festival in his hometown of Columbus, Ohio.

Since his Carnegie Hall debut with the Juilliard Orchestra, he has gone on to perform as soloist with orchestras in four different continents. As a chamber musician, Siwoo was trained at the Marlboro Music Festival and performs at chamber music series and festivals all around the world.

An advocate of new music, Siwoo premiered and recorded Samuel Adler’s violin concerto with the Brandenburgisches Staatsorchester Frankfurt on Linn Records and VIVO Music Festival annually co-commissions new chamber music works with Paris-based Ensemble Intercontemporain. Last season, Siwoo recorded and released the premiere recording of Michael Torke’s “Last” - a 12-movement concerto for violin and string orchestra - on Ecstatic Records with the East Coast Chamber Orchestra (ECCO).

Siwoo received his undergraduate and graduate degrees from The Juilliard School where he studied with Robert Mann and Donald Weilerstein. He went on to complete a two-year fellowship at Carnegie Hall’s Ensemble Connect program.

Photographs

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Repertoire

Concertos

Adler
Concerto
Bach
Concerto No. 2
Concerto for Violin and Oboe
Barber
Concerto
Bartok
Concerto No. 2
Brahms
Concerto
Bruch
Concerto No. 1
Scottish Fantasy
Elgar
Concerto
Glazunov
Concerto
Korngold
Concerto
Lalo
Symphonie Espagnole
Mendelssohn
Concerto
Mozart
Concerto No. 3
Concerto No. 4
Concerto No. 5 “Turkish”
Sinfonia Concertante
Paganini
Concerto No. 1
Prokofiev
Concerto No. 1
Concerto No. 2
Saint-Saens
Concerto No. 3
Shostakovich
Concerto No. 1
Sibelius
Concerto
Tchaikovsky
Concerto
Vieuxtemps
Concerto No. 4
Vivaldi
Four Seasons
Wieniawski
Concerto No. 2

Sonatas

Bach
Six Sonatas and Partitas
Beethoven
Sonata No. 1
Sonata No. 7
Sonata No. 8
Brahms
Sonata No. 2
Sonata No. 3
Debussy
Sonata
Enescu
Sonata No. 3
Franck
Sonata
Mozart
Sonata, K. 301
Sonata, K. 454
Prokofiev
Sonata No. 1
Ravel
Sonata
Sonata for Violin and Cello
Strauss
Sonata
Stravinsky
Duo Concertante
Ysaye
Sonata No. 3
Sonata No. 5

Short works

Adams
Road Movies
Bazzini
Le Ronde des Lutins
Brahms
Sonatensatz
Chausson
Poeme
Ernst
Der Erlkonig
Handel-Halvorsen
Passacaglia
Khachaturian
Sabre Dance
Massenet
Meditation
Messiaen
Theme and Variations
Paganini
24 Caprices
Piazzolla
Le Grand Tango
Ravel
Tzigane
Saint-Saens
Intro and Rondo Capriccioso
Sarasate
Zigeunerweisen
Carmen Fantasy
Introduction and Tarantelle
Sciarrino
Solo Caprice No. 2
Tchaikovsky
Waltz-Scherzo
Wieniawski
Polonaise de Brilliant No. 1
Williams
Theme from “Schindler’s List”

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Siwoo Kim seated by a loft window, raising his bow toward a blank canvas
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