PressReviews
Press kit
Clearly Siwoo Kim is ready for prime time…”
Palm Beach ArtsPaper
Violinist Kim spectacular in Sibelius Concerto with SFSO
Read the review“…soloist Siwoo Kim tossed it off with deceptive ease and a sense of fun. It was a spectacular rendition, in which the performer visibly reveled in the work’s manifold complexities. Kim was no less impressive in the concerto’s quieter moments, floating high-lying melodic lines with poignance and sensitivity.”
violinist.com
Torke’s Violin concerto ‘Last’ - A Balm for the Soul
Read the review“Kim’s playing is rich with emotion without tipping into sentimentality. He doles out his beautiful vibrato in restrained portions, making it all the sweeter when it comes. His bow control is extraordinary. And his elegant, understated stage presence allows full access to the beauty of Torke’s music without any distractions.”
Arizona Daily Star
Last minute soloist impresses Tucson Symphony audience
Read the review“When you fly in from New York on just over 48 hours notice to fill in for a violinist on a relatively unknown concerto that’s never been played by the orchestra with whom you are soloing, you deserve a standing ovation.
Actually, you deserve a mid-concerto standing-o, or several in the case of Friday night’s Tucson Symphony Orchestra concert with Siwoo Kim at Linda Ronstadt Music Hall.”
Chicago Tribune
Mutter, Kim Deliver Strong Recitals
Read the review“stylistic sensitivity and generous tonal nuance”
The New York Times
A Homage to Alfred Schnittke at Juilliard
Read the review“incisive”
“compelling”
The New Yorker
Quartets ahoy
Read the review“whip-smart”
Album acclaim
Take Effect
On Last
Read the review“a truly stunning performance”
The Listeners’ Club
On Last, Last Fall
Read the review“Serenely elegiac.”
Gramophone
Read the review“The performance is superb and richly recorded, and I’ve been listening to it obsessively.”
BBC Music Magazine
“Siwoo Kim’s impassioned playing adds notable fire to the busy textures…”
Features
Press kitDownload
Siwoo Kim is an “incisive” and “compelling” violinist (The New York Times) who “plays with stylistic sensitivity and generous tonal nuance” (The Chicago Tribune). Siwoo actively performs as soloist & chamber musician and he is the founding co-artistic director of VIVO Music Festival in his hometown of Columbus, Ohio.
Since his Carnegie Hall debut with the Juilliard Orchestra, he has gone on to perform as soloist with orchestras in four different continents. As a chamber musician, Siwoo was trained at the Marlboro Music Festival and performs at chamber music series and festivals all around the world.
An advocate of new music, Siwoo premiered and recorded Samuel Adler’s violin concerto with the Brandenburgisches Staatsorchester Frankfurt on Linn Records and VIVO Music Festival annually co-commissions new chamber music works with Paris-based Ensemble Intercontemporain. Last season, Siwoo recorded and released the premiere recording of Michael Torke’s “Last” - a 12-movement concerto for violin and string orchestra - on Ecstatic Records with the East Coast Chamber Orchestra (ECCO).
Siwoo received his undergraduate and graduate degrees from The Juilliard School where he studied with Robert Mann and Donald Weilerstein. He went on to complete a two-year fellowship at Carnegie Hall’s Ensemble Connect program.
Photographs
Full resolution, JPEG
That didn’t work. Please download the photos one by one.
Full galleryPhoto: Titilayo Ayangade
2631 × 3944
DownloadPhoto: Titilayo Ayangade
2668 × 4000
DownloadPhoto: Kevin Hsu
2666 × 4000
DownloadPhoto: Titilayo Ayangade
4000 × 2749
DownloadPhoto: Kevin Hsu
2666 × 4000
DownloadPhoto: Titilayo Ayangade
4000 × 2668
DownloadPhoto: Kevin Hsu
4000 × 2667
DownloadPhoto: Titilayo Ayangade
2668 × 4000
DownloadPhoto: Kevin Hsu
2666 × 4000
DownloadPhoto: Titilayo Ayangade
2668 × 4000
DownloadPhoto: Kevin Hsu
4000 × 2666
DownloadPhoto: Kevin Hsu
2888 × 3851
Download
Concertos
- Adler
- Concerto
- Bach
- Concerto No. 2
- Concerto for Violin and Oboe
- Barber
- Concerto
- Bartok
- Concerto No. 2
- Brahms
- Concerto
- Bruch
- Concerto No. 1
- Scottish Fantasy
- Elgar
- Concerto
- Glazunov
- Concerto
- Korngold
- Concerto
- Lalo
- Symphonie Espagnole
- Mendelssohn
- Concerto
- Mozart
- Concerto No. 3
- Concerto No. 4
- Concerto No. 5 “Turkish”
- Sinfonia Concertante
- Paganini
- Concerto No. 1
- Prokofiev
- Concerto No. 1
- Concerto No. 2
- Saint-Saens
- Concerto No. 3
- Shostakovich
- Concerto No. 1
- Sibelius
- Concerto
- Tchaikovsky
- Concerto
- Vieuxtemps
- Concerto No. 4
- Vivaldi
- Four Seasons
- Wieniawski
- Concerto No. 2
Sonatas
- Bach
- Six Sonatas and Partitas
- Beethoven
- Sonata No. 1
- Sonata No. 7
- Sonata No. 8
- Brahms
- Sonata No. 2
- Sonata No. 3
- Debussy
- Sonata
- Enescu
- Sonata No. 3
- Franck
- Sonata
- Mozart
- Sonata, K. 301
- Sonata, K. 454
- Prokofiev
- Sonata No. 1
- Ravel
- Sonata
- Sonata for Violin and Cello
- Strauss
- Sonata
- Stravinsky
- Duo Concertante
- Ysaye
- Sonata No. 3
- Sonata No. 5
Short works
- Adams
- Road Movies
- Bazzini
- Le Ronde des Lutins
- Brahms
- Sonatensatz
- Chausson
- Poeme
- Ernst
- Der Erlkonig
- Handel-Halvorsen
- Passacaglia
- Khachaturian
- Sabre Dance
- Massenet
- Meditation
- Messiaen
- Theme and Variations
- Paganini
- 24 Caprices
- Piazzolla
- Le Grand Tango
- Ravel
- Tzigane
- Saint-Saens
- Intro and Rondo Capriccioso
- Sarasate
- Zigeunerweisen
- Carmen Fantasy
- Introduction and Tarantelle
- Sciarrino
- Solo Caprice No. 2
- Tchaikovsky
- Waltz-Scherzo
- Wieniawski
- Polonaise de Brilliant No. 1
- Williams
- Theme from “Schindler’s List”
InquiriesGet in touch
Concerts, collaborations and lessons.


